My annual signing at The Carle

This past weekend I was in Amherst, MA for my annual book signing at The Eric Carle Museum of Picture Book Art, now known as The Carle. It was a wonderful day and I was delighted to sign books for the visitors who came and waited so patiently in line.


People from all over including visitors from VA, CA, NY and even Iceland were at the Museum and I enjoyed meeting the teachers and children, grandparents and parents who arrived at the table where I sat with my pen.
Here I am taking a break and eating a healthy snack.


Bobbie and I are so happy to have had this time to come back to Massachusetts and visit with old friends here and the staff at the Museum who handled a busy day beautifully. There was ice cream and other treats in the apple orchard after the signing and I hope all who came enjoyed themselves as much as we did.

Photo credit: Kristin Angel

Sweets

I love honey and have since I was a child in Germany. And another treat that I love is chocolate. Maybe it goes back to my childhood as well when an aunt of mine worked in a chocolate factory. She was my favorite aunt of course because she could bring home left over pieces so whenever I visited her I would be given a bag of broken chocolate.

Old Friends

I created illustrations for these books in the 1960's before I had started making books for children. These “gift” books were done as work-for-hire and in linoleum cuts. I still appreciate these older works for their simple design.

Reading the Funny Papers

On Sunday mornings, when I was a child, my father would read the funny papers to me. It was a ritual for us. I would sit on his lap and he would read me the comics. It was fun, entertaining. But also, he would add a little learning into our Sunday mornings. He pointed out one cartoonist in particular who only did side views or front views, no perspective. My mother would call in from the kitchen to him that I was too young to understand what he was saying. But my father would just keep talking, enjoying our Sunday time together, reading the comics, building in a little education.

Summer

Under the spell of Lisbeth Zwerger

Many years back, I happened upon one of Lisbeth Zwerger's books for the first time. I knew I was looking at the work of a soulful and unconventional artist and I stood in the bookstore turning the pages of the book in my hands. When I closed the book I had fallen under the spell of one of the finest illustrators of our time, and I experience this each time I open a book by Lisbeth Zwerger. It is a great pleasure and honor that Lisbeth Zwerger's work will be exhibited at The Eric Carle Museum of Picture Book Art this summer, starting on June 29th!


Illustration from THE STRANGE CHILD © 1981 by Lisbeth Zwerger

Brown Bear Tells a Story

Brown Bear, Brown Bear, What Do You See? was first published in 1967 and has been reissued numerous times particularly in its early years.

Bill Martin Jr would decide to change the text and I would create new illustrations to go along with Bill’s changes. As of today, there are four complete sets of artwork for Brown Bear, Brown Bear. The changes in the text of the book were made mostly on the last page where there is either a teacher or a mother (or a monkey in a UK edition from 1984).

Originally created for the educational market to be sold to schools and libraries only, Brown Bear was later published as a trade book to be sold in bookstores. For the most part, I was creating new art work to match the changes Bill was making. But the changes in the art work tell an interesting story as well.

In the earlier editions of this book, I was using commercially available tissue papers in various shades of color. I would use crayon and paint to add texture, but over time these papers faded and the rubber cement I was using discolored the papers and did not last as an adhesive.


Eventually, I started painting my own papers to achieve even greater texture and I began using archival quality materials. You can see these changes in the art work from these selected illustrations from Brown Bear where a history of how my style has evolved is evident.

It is also true that I created new art work for numerous other titles because the original work had faded and needed to be recreated for reprints of the books. Fortunately, using archival materials made for more long-lasting art work that we hope will last for years to come.